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is an Irish musician and songwriter best known as the lead guitarist, keyboardist and backing vocalist of the rock band U2.A member of the group since its inception, he has recorded 14 studio albums with the band as well as one solo record.U2 began its public performance life in small venues in Dublin in 1977, occasionally playing at other venues elsewhere in Ireland. As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of Vox AC30s) that he achieves with extensive use of delay effects and reverb.In December 1979 they performed their first concerts outside Ireland, in London, and in 1980 began extensive touring across the British Isles, developing a following. In 1981, leading up to the October Tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay. Everyone else said, "Nah, you can't do that." I won the argument and I still think it's sort of brave, because the end of "With or Without You" could have been so much bigger, so much more of a climax, but there's this power to it which I think is even more potent because it's held back... The repeat delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.

The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a US

The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a US$1 million donation from Evans and a commitment to designate 100 acres of the land as open space for public footpaths. He said in 1982 of his style, I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound.

As a guitarist, the Edge has crafted a minimalistic and textural style of playing.

His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

So for E I might play a B, E, E and B and make it ring. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings.

I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way.

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The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a US$1 million donation from Evans and a commitment to designate 100 acres of the land as open space for public footpaths. He said in 1982 of his style, I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound.As a guitarist, the Edge has crafted a minimalistic and textural style of playing.His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.So for E I might play a B, E, E and B and make it ring. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings.I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way.

million donation from Evans and a commitment to designate 100 acres of the land as open space for public footpaths. He said in 1982 of his style, I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound.

As a guitarist, the Edge has crafted a minimalistic and textural style of playing.

His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

So for E I might play a B, E, E and B and make it ring. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings.

I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way.

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